![]() ![]() ![]() A few minutes spent warming up before playing helps warm the muscles of your face and fingers, as well as steady your airstream and centre your tone. Warming upĮvery practise session should start off with a warm up. ![]() Here’s a helpful guide that covers the main things to remember. Your breathing should be steady and well supported, and your posture must be straight and relaxed to maximise air flow. Your back teeth should be apart – image they have a pencil eraser between them! The hole between your lips that you blow out of (the ‘aperture’) should be like a small, squashed oval – too big and the tone will sound airy. Aim to blow at the outer edge of the hole, so that just over half the air is going into the flute. The corner of the lips should be firm, but make sure the bottom lip is not tight or strained. Here are a few things to remember:Ī good way to start is to say the word ‘pooh’, with the bottom edge of the lip plate hole directly under the pink part of the bottom lip. Having a properly formed embouchure can help you hit those high notes with ease, as well as allowing you to play for much longer. Your embouchure is the tool you use to transmit air into your flute – in this case the force of your blowing over the lip plate, fed by your breathing and correct posture. Above all, take a moment and see if fixes to these issues improve your musical product and satisfaction.Have you just started learning the flute? Or perhaps you’ve decided to pick it up again after a few years of neglect? Well, with the help of some teachers we’ve compiled a few tips to help you get the most out of your flute practise! Making a noise!Īs with any instrument that you play using your mouth, you need a good embouchure. Consequentially, these common problems can point to the reasons you or your students are struggling with the flute. In conclusion, solutions only help improve student musicians if you know what problems exist. Consequently, this is something that at first may seem helpful but will reinforce a labored articulation as the musician develops. Lip Supported by the Tongueįinally, young flutists may support the lip with the tongue. The educators should be able to tap the instrument off the lip with little effort. Teachers can test if the pressure is appropriate. Watch not to put too much pressure into the lip. To keep the soft dynamics without going flat, the musician must keep the airspeed up and blow across the blowhole when playing softly. The flutist must learn how to use their airspeed effectively. As a result, the musician hits the lips with the tongue rather than the roof of the mouth. Sometimes when students learn how to tongue, they misinterpret the Suzuki suggestion of "spitting rice." What sometimes occurs is that students will engage in tonguing between the teeth. Other modifications may require work to be done by a local repair technician. Some adjustments are easy to fix and may need to tighten the screws. If the instrument fingering is out of alignment, meaning the rods, keys, and pads don't create a clean seal, then the instrument needs repair. If the flute playing is "airy," have your students roll inward to eliminate the unwanted sound. For example, sometimes student musicians rest their arm on the back of the chair or allow their right to hang too low. As a result, this is due to the position of the right arm. By rolling in too far, the sound will be small and causes the pitch to be flat. The next common problem involves flute players that cover too much of the blowhole with the lower lip. Instead, the aperture should be a slit in the center of lips, which should not be longer than the blowhole. One common misconception is that many believe the aperture should be a round hole. A non-resonant and airy tone results from this. The next common flute mistake is the aperture that is to large. Have the foot joint rod in alignment with the center of the bottom key on the body of the flute. Young musicians sometimes assume that there should be symmetry in the instrument. One major mistake that student musicians make is that the body and foot joints are lined up. Firstly, for the flute to play correctly, it must be set-up accurately. ![]()
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